Showing posts with label seoul cinematheque. Show all posts
Showing posts with label seoul cinematheque. Show all posts
Saturday, 7 January 2012
Sunday, 2 October 2011
Tuesday, 6 September 2011
Saturday, 23 July 2011
Saturday, 25 June 2011
Monday, 9 May 2011
Sunday, 10 April 2011
Saturday, 14 August 2010
Monday, 7 June 2010
Thursday, 13 May 2010
This Week in Cinema
Two posts about screenings this week in Seoul:
http://www.theoneonefour.com/2010/05/13/oscar-season-in-korea/
http://www.theoneonefour.com/2010/05/11/this-week-at-the-cinematheque-jiff-in-seoul/
http://www.theoneonefour.com/2010/05/13/oscar-season-in-korea/
http://www.theoneonefour.com/2010/05/11/this-week-at-the-cinematheque-jiff-in-seoul/
Sunday, 4 April 2010
Sunday, 14 March 2010
Thursday, 4 February 2010
Wednesday, 13 January 2010
Friends of Cinematheque Film Festival
Link to a preview of the upcoming Cinematheque Friends program:
http://www.theoneonefour.com/2010/01/13/the-5th-friends-of-the-cinematheque-film-festival/
http://www.theoneonefour.com/2010/01/13/the-5th-friends-of-the-cinematheque-film-festival/
Sunday, 20 December 2009
Tuesday, 15 December 2009
Friday, 13 November 2009
French Cinema Now and Review of ROAD TO THE RACETRACK
Two links to columns at the One One Four:
Preview of the French Cinema Now program at the Seoul Cinematheque here.
Review of Jang Sun-woo's ROAD TO THE RACETRACK (1991) here.
Preview of the French Cinema Now program at the Seoul Cinematheque here.
Review of Jang Sun-woo's ROAD TO THE RACETRACK (1991) here.
Labels:
french cinema,
jang sun-woo,
korean cinema,
seoul cinematheque
Monday, 3 August 2009
Cine-Vacances at the Cinematheque (August 4-30)
The August program at the Cinematheque has been announced and is available here. Among the highlights include a huge retrospective on the films of Don Siegel, along with a day of Jacques Demy films on Tuesday, August 4th (although no subtitle information is given). There is also two screenings of Sergei Bondarchuk's 1968 War and Peace in four parts.
Saturday, 18 July 2009
Nagwon Music Film Festival
From July 21 to August 2, the Seoul Cinematheque will be showcasing a lineup of music related films, from American rock concert films to Soviet musicals. Films showing in English or with English subtitles include:
The Last Waltz (Martin Scorsese, 1978)
Hair (Milos Forman, 1979)
Pink Floyd: The Wall (Alan Parker, 1982)
The Doors (Oliver Stone, 1991)
The Commitments (Alan Parker, 1991)
Tractor Drivers (Ivan Pyryev, 1939)
A Better Tomorrow on the Street (2008)
Also, the Puchon Fantastic Film Festival continues running until next week.
The Last Waltz (Martin Scorsese, 1978)
Hair (Milos Forman, 1979)
Pink Floyd: The Wall (Alan Parker, 1982)
The Doors (Oliver Stone, 1991)
The Commitments (Alan Parker, 1991)
Tractor Drivers (Ivan Pyryev, 1939)
A Better Tomorrow on the Street (2008)
Also, the Puchon Fantastic Film Festival continues running until next week.
Saturday, 6 June 2009
1950s Korean Cinema at the Cinematheque
Upcoming at the Seoul Cinematheque, June 9th-18th, is a program of Korean films from the 1950s. So far, six of the thirteen films are listed as having English sub-titles. The films are:
Yangsan-do (Yangsan Island) (Kim Ki-young, 1955) (90 minutes)
Piagol (Pia Village) (Lee Kang Cheon, 1955) (106 minutes)
Chongchun Ssanggogseon (Han Hyeong-mo, 1956) (100 minutes)
Jayu Buin (Madame Freedom) (Han Hyeong-mo, 1956) (124 minutes)
Muyeong-tab (Pagoda of No Shadows) (Shin Sang-ok, 1957) (117 minutes)
Jiokhwa (Flower in Hell) (Shin Sang-ok, 1958) (86 minutes)
Probably the most well-known of these films are Madame Freedom and Flower in Hell, both of which are discussed at length in the Korean Film Archive's A History of Korean Cinema. As can be guessed by the titles, both are melodramas. Yi Hyo-In devotes a section of his overview of 1950s Korean cinema on Madame Freedom with the title, "Madame Freedom, the Application of the Modern Thinking into a Film and the Repulsion Against It." Flower in Hell is of interest in both its subject matter (one of the lead characters is a prostitute servicing American GIs) and its apparent mixture of genres and styles. And Yangsan Island is the second film of the acclaimed Kim Ki-young. I know little else about the other films, although all appear to be from the melodrama era except for Pia Village, which I think is part of the war cycle and deals with a group of communist guerillas.
The cinemathque website has the times and listings, but not the translation of the titles, so go by the year and running time. I've also linked each film to its imdb page.
Yangsan-do (Yangsan Island) (Kim Ki-young, 1955) (90 minutes)
Piagol (Pia Village) (Lee Kang Cheon, 1955) (106 minutes)
Chongchun Ssanggogseon (Han Hyeong-mo, 1956) (100 minutes)
Jayu Buin (Madame Freedom) (Han Hyeong-mo, 1956) (124 minutes)
Muyeong-tab (Pagoda of No Shadows) (Shin Sang-ok, 1957) (117 minutes)
Jiokhwa (Flower in Hell) (Shin Sang-ok, 1958) (86 minutes)
Probably the most well-known of these films are Madame Freedom and Flower in Hell, both of which are discussed at length in the Korean Film Archive's A History of Korean Cinema. As can be guessed by the titles, both are melodramas. Yi Hyo-In devotes a section of his overview of 1950s Korean cinema on Madame Freedom with the title, "Madame Freedom, the Application of the Modern Thinking into a Film and the Repulsion Against It." Flower in Hell is of interest in both its subject matter (one of the lead characters is a prostitute servicing American GIs) and its apparent mixture of genres and styles. And Yangsan Island is the second film of the acclaimed Kim Ki-young. I know little else about the other films, although all appear to be from the melodrama era except for Pia Village, which I think is part of the war cycle and deals with a group of communist guerillas.
The cinemathque website has the times and listings, but not the translation of the titles, so go by the year and running time. I've also linked each film to its imdb page.
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